Artikels

Jaap Vink's Multiplied Feedback In Memoriam Rob Hordijk Meantone Temperaments Mother of all Artificial Reverberations Footages vs Harmonics The Time Machine Mixtures Apollo III Carillon Computer Introduction DX7!The FM Synthesis of a Carillon Bell Acoustic musical instruments, a concise sonological exploration Virtual Reed Organ Werner Kaegi's VOSIM Multiple identities of the simple S&H PLL synth Synthesizer Sings Sounds with Soul The complexity of timbre Serendipity, Pitch Tracker From Ring Modulator to Multiplier Resonance Strings Reverb FX All Pass, fexible FX tool: vibrato, leslie, phasing, delay About sine wave, formants, vowels, consonants and overtone singing The Ondes Martenot Back to Old School Sequencing Plucked String Modal Synthesis: Virtual Mallet Instruments Tone Bending The automatic chime Granular Synthesis Percussion Instruments FoSyn Oscillator Feedback, the interaction in Physical Models A cyber musician, a bow and string An other view at filters Doppler Panner Electronic Organ Wind Brass Instruments Deceptive Overtones

The Ondes Martenot

As a frail mademoiselle she strides gracefully and lasciviously from one tone to another. With an elegance and sensuality you had never heard of an electronic instrument. Timeless as a Citroën DS she waves through the music, lusty and vibrating: Ondes Martenot! That such simple waveforms can sound so beautiful is not at all dependent on those waveforms. No, it's because of the subtle changes of frequency and amplitude of those waveforms. Immediately molded by the musician this creates an unprecedented expression. Linked to a harmonic spectrum that remains static are the typical sound characteristics of the Ondes Martenot.

the-ondes-martenot.pdf
ondes-martenot.pdf
ondes-martenot-golfvormen-en-harmonischen.jpg
ondes-martenot-schema.jpg
ondesdinterface.jpg
demondes.pch2
ondesdinterface.pch2

ondes-martenot.mp3

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